It actually uses the Temporal NR features. The next method brings us to the Motion Effects area. Adjusting how many frames are analyzed helps, especially if you have a higher frequency flicker. Otherwise using the advanced effects allows you to change up options to optimize the results. If one of the defaults works then there you go. There’s an option for fluorescent lights and to access the advanced controls. It defaults to Timelapse, so unless it is a timelapse you’ll want to adjust this. Just head over there, find the deflicker tool and bring it over to your clip. Resolve has a decent set of built-in tools as part of the Open FX. Starting with the simplest method is always the best. Unsurprisingly they have very strong flicker with the small, cheap LEDs in them. The example footage is something a lot of people might see, string lights in the background. Having a few options mean you can mix and match to get the best results for your shot. One quick guide was put together by MiesnerMedia on how to do this a few ways using DaVinci Resolve 17. There are fortunately ways to fix this in post. If you want to shoot some slow motion and some practical lighting in the background isn’t optimized for video production, or it’s a timelapse with auto exposure to compensate for a sunset, or maybe you were given footage someone shot on a GoPro or phone and need to make it work. Flicker can easily ruin a take and sometimes there’s nothing you can do about it while you are shooting.
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